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ed. by Marina Vitale and Serena Guarracino

 

This is the first of two issues of Anglistica devoted to intersections between musical and cultural studies. It presents reflections on music as a cultural practice with special bearings on the definition of gendered identities and ethnical configurations. As well as hosting some outstanding representatives of cultural musicology, it presents instances of music travelling across borders and providing strategies of resistance, transgression, hybridation and dissent. It also offers a point of ‘hearing’ to some experimental musical experiences in Naples.